Royal Albert Hall, LondonRichard Egarr balanced intensity with reflection, despite cuts to the score, and Allan Clayton was fine and effortless in the title role‘Whatever is, is right,” we are told in a moment of fatalistic horror at the close of the second act of Jephtha, Handel’s last oratorio, given...

Long-awaited albums, audacious political theatre and TV fit to follow Game of Thrones, plus film, dance, classical and more… our critics preview the new seasonYou know Oscar season is approaching when the weather gets chillier and the options at the cinema get a little more literary – and so autumn...